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Grateful Dead Live at Three Rivers Stadium on 1990-07-08




Set 1

Touch Of Gray-> Greatest Story Ever Told, Jack A Roe, Minglewood Blues, Row Jimmy, Mama Tried-> Mexicali Blues, Just Like Tom Thumb's Blues, Let It Grow

Set 2

Samson & Delilah-> Eyes Of The World-> Estimated Prophet-> Terrapin Station-> Jam-> Drums-> Jam-> I Need A Miracle-> Wang Dang Doodle-> Black Peter-> Throwing Stones-> Turn On Your Love Light, E: Knockin' On Heaven's Door

Crosby Stills & Nash Opened


Collection GratefulDead
Band/Artist Grateful Dead
Venue Three Rivers Stadium
Location Pittsburgh, PA

Source Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac
Lineage mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
Taped by John Bleich
Transferred by SIRMick

Notes

- patches:

Jam 2:44 - 3:48
Space 5:14 - 8:10

patch source - aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac (shnid 97714)


Comments:

- Crosby, Stills And Nash opened


Thanks to John for transferring his masters for me to work on


edited and mastered
SIRMick
September 2010

Reviews

Reviewer: J0EC00L - - October 15, 2010
Subject: I was here!
I remember it clearly. We drove down to Pittsburgh on this Sunday afternoon. Arrived around 4 pm and partied in the lot till the show started. I dropped 4 hits of acid and walked into the show with my friends. Good times remembered.
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Do not remember the mics exception that they had shotgun characteristics > Sony D6 > Maxell MX 90's, located first right hand seat of taper section 12" stand.
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
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Source: source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper